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in the press

"The bodies are the priority in bloom, not as tools for aesthetic presentation, but as the sole content, creating a feeling of authenticity -the movement as language." -Rhiannon Laymon, Phindie | http://bit.ly/2Fsc3R4

 

"allendance has again delivered a contemplative take on movement through effortless contact and a fresh atmospheric perspective on the intimate space that is the Iron Factory" -Rhiannon Laymon, Phindie | http://bit.ly/2BJqdxr 

 

"They performed a series of low poses, one atop the other, switching roles as they trundled and yielded to the floor and each other." -Becca Weber, Thinking Dance | http://bit.ly/2FpNeVS

 

"Opening the show were the powerful lifts and intricate moves of Allen’s “Viewpoint,...” -Debra Miller, Phindie | http://bit.ly/2ChpZ1x

 

"They achieve a reckless quality that is somehow still exact, that coalesces in exactly the place they need to be in each time." -Kat J. Sullivan, Thinking Dance | http://bit.ly/2GEZAJl

 

"...the seams between pieces are so finely threaded that they flow as smooth as silk." -Kat J. Sullivan, Thinking Dance | http://bit.ly/2CEaFYG

 

"The allendance intensive directed by Lora Allen was a unique opportunity for my students. They were exposed to modern dance on three levels; learning professional choreography, analyzing through written and verbal discussion and creating a physical representation of movement through painting. It offered my students an advantage by giving them a memorable artistic experience that they would not normally be exposed to at their age."- Laurie Sanford, Williamstown Ballet Theater

 

"Lora and her dancers taught a wonderful choreography workshop for my students when they came to the University of Kansas. They were not only great with the students, but the exercises and information that they taught from their repertory helped provide a deeper understanding in partnering/weight-sharing tools as they relate to composition and performance." -Tori Lawrence, Tori Lawrence & Co. 

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allendance has been supported by

The Philadelphia Cultural Fund since 2016